AudioMixers |
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Allen & Heath
GL-2400/24 Mixer
The GL2400 has a third master fader, which can be configured to create a centre-fill or sub-bass mix from Aux 6, a mono sum of the LR mix, or a monitor wedge output. All channels have pre/post fader aux switching, and in Monitor mode, all auxes are available on faders with mutes, inserts,meters and XLR drive. One of the key features of the GL2400 is the new 7x4 matrix, which provides extra output flexibility. In FOH mode, independent fill speaker and acoustics compensated recording feeds can be created, while in Monitor mode, the matrix offers more monitor outputs from the groups and LR with added ambience for in-ear applications |
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Yamaha MG3214FX Mixer
The MG32/14FX has 24 mono microphone/line channels and four stereo line channels in addition to the mono mic/line channels. All 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups.
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Mackie SR-24
24 Channel Mixer
The SR24.4-VLZ PRO has 20 mono mic/line channels with XDR mic preamps PLUS 2 special line level channel strips. Equalization on the SR-VLZ PRO Series mixers is very versatile. Besides the fact that Mackie's Hi and Lo shelving EQ are centered at useful frequencies - 12kHz - the SR24.4-VLZ PRO has sweepable midrange EQ (on mono channels). You can center the midrange anywhere from 100Hz to 8kHz, low enough to use as a second low frequency EQ, and high enough to use in the high frequency range. (Stereo channels on mixer has 4-band EQ, with 12kHz and 80Hz Hi and Lo shelving EQ, and 2 fixed mids at 3kHz and 800Hz). And a low cut filter (on mono channels) centered at 75Hz allows you to cut out mic thumps and wind noise that can enter your mix and rob you of amplifier power.
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Mackie CFX
12 14 Channel Mixer
The Mackie CFX12 mkII Mixer is designed to make mixing live performances simpler. The mkII upgrades include sleek gray cosmetics, ergonomic knobs, and impact-resistant rubber sides. This live sound mixer features Mackie-designed mic preamps, logarithmic-taper 60mm faders, 9-band phase-accurate graphic equalizer, 32-bit EMAC digital effects processor with 16 effects, 4-bus design, 2 pre/post aux sends, internal/external effects sends, and a host of great features for live sound, including 48V phantom power and 12V BNC lamp socket.
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Mackie 1604
16 Channel Mixer
The Mackie 1604-VLZ Pro has been the long-running favorite of audio professionals the world over for its sound quality, ease of use, and rugged dependability. Thousands of recordings have been tracked and mixed solely on a 1604. Designing a mixer to take its place was a tremendous challenge, indeed. But Mackie's engineering team thrives on this kind of stuff, so they tackled this one head on, creating one of the best compact mixers.
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Mackie 1402
14 Channel Mixer
The Mackie 1402-VLZ PRO Compact Mixer provides low noise, high headroom, and total portability. 14-line input mixer (6 mono, 4 stereo) comes equipped with Mackie's XDR studio-grade preamps on mono channels for ultralow noise, high-headroom performance. Also has XLR and 1/4" inputs on mono channels, phantom power, and powerful RF rejection thanks to a DC-pulse transformer. Other features include 60mm long-wear, log-taper faders; 2 aux sends with level, pan, and PFL solo on each; 4 stereo aux returns plus effects to Monitor, 3-band active EQ with Lo-Cut filter, ALT 3/4 stereo bus, a Control Room/Phones source matrix, and a steel chassis
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Mackie 1202
12 Channel Mixer
In spite of it's small size, the Mackie 1202-VLZ Pro is big on features. It's the ideal compact mixer for home and project studios seeking superior performance in an economical, small-footprint package. A boatload of professional features—along with solid-steel construction—makes the 1202-VLZ Pro equally at home on the road, on the stage, or in the studio.
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Shure SCM268 Microphone
4 Channel Mixer
The Shure SCM268 microphone mixer offers simplicity and routing flexibility in a convenient, compact rugged enclosure. The SCM 268 features 4 high quality XLR inputs and mic/line level switchable XLR output. Tranformer balanced I/O provides maximum audio gain, minimizing hum and line noise. Two stereo paired (4 mono) RCA inputs except line level signal from consumer audio devices such as CD and casette players, DVD players, VCR's etc. Also provided is an additional, independent AUX line level input with level control via a single RCA connector. Six sealed rotary pots provide level control for mic channels 1 through 4, AUX input channel and Master. The SCM268 also provides 12V phantom power for condenser microphones.
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Aviom A-16II
Personal Mixer |
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Aviom A-16R
Remote-Controllable
16-channel Stereo Digital Mixer |
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Aviom AN-16/i-M
A-Net Input Module |
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Dynacord PM1000
10 channel powered mixer |
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Mackie Big Knob
Studio Command System |
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Mackie Onyx 1640
16-Channel Mixer |
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Mackie Onyx 1640
16-Channel Mixer |
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Midas Heritage 4000
Analog Mixer |
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Midas Siena 40x16
Mixing / J30Monitor Console |
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Midas Venice 160
16-Channel Audio Mixer |
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Midas Venice 240
24-Channel Audio Mixer |
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Midas Venice 320 32-Channel Audio Mixer |
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Midas Verona 400
40-Channel Audio Mixer |
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Midas Verona 480
48-Channel Audio Mixer |
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Midas Verona 480
48-Channel Audio Mixer |
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Midas Verona 640
64-Channel Audio Mixer |
