|
 |
Camera Lenses
 |
Canon IS-20BII
Optical Image Stabilizer
|
|
 |
Astroscope 9323B
Night Vision Module
The Broadcast night vision modules are designed for ENG / EFP 1/2" and 2/3" cameras and delivers the highest quality nighttime video images available to professional broadcasters. Mounted between the camera and the lens, the module amplifies low-light scenes so they are easily viewed and recorded by the host camera. Designed for bayonet-mount ENG / EFP cameras, the AstroScope is easy to use and requires no set-up, calibration or training. The module maintains full electronic control of the lens iris and zoom and draws minimal power from the camera's rechargeable battery via the lens cable connection.
|
|
 |
Canon
16TC-HVX
Century Optics HD-16TC-HVX 1.6x Tele-Converter for Panasonic AG-HVX200
This 1.6X Tele-Converter for Panasonic's HVX200 (13X) shifts the camera's focal range in the telephoto direction for uses when it's inconvenient, dangerous, or even impossible to move as close to the subject as you'd like. The Tele-Converter alters your zoom's focal length range to 39.6-88mm — with no appreciable light loss. Note that although the Tele-Converter offers partial zooming, vignetting will occur at mid-range through full wide angle.
|
|
 |
Fujinon S20x6.4 Professional Lens with extender.
With the new A20x 8.6 (for 2/3-inch format cameras) and S 20 x 6.4 (for 1/2-inch format cameras), Fujinon continues its successful line of highquality lenses in the professional range, which started with the introduction of the A19 x 8.7 and S19 x 6.5 lenses to professional users.
As its predecessors, the new A20x /S20 x lenses combine superb optical quality with rugged construction to withstand even the hardest daily use, features previously found only in the range of broadcast lenses.
|
|
 |
Canon & Fujinon Zoom & Focus Control
The DXF-51 5" monochrome studio viewfinder offers 650 lines of resolution. When connected to a 16:9 aspect camera, the viewfinder will automatically switch the aspect ratio from 4:3 to 16:9. Used with the DSR-370 for a studio Configugation setup. |
|
| |
Manufacturer: Astroscope
Model: 9323B
Astroscope 9323B Night Vision Module
|
| |
Manufacturer: Canon
Model: XL-1 Century
Canon XL-1 Century Wide Angle Adaptor
|
| |
Manufacturer: Century Optics
Model: 2/3-1/2
Century 2/3" to 1/2" Ring Adapter (Sony Only)
|
| |
Manufacturer: Century Optics
Model: FEWA-HDS
Century FEWA-HDS HD Fisheye Adaptor (HDV)
|
| |
Manufacturer: Century Optics
Model: 37mm
Century Optics 37mm Wide Angle Lens for Sony BRC-300
|
| |
Manufacturer: Century Optics
Model: 37mm
Century Optics 37mm Wide Angle Lens for Sony BRC-300
|
| |
Manufacturer: Century Optics
Model: HD-C150
Century Optics HD-C150 HD Collimator
|
| |
Manufacturer: Century Optics
Model: Precision 2x
Century Precision 2x Tele-Converter Lens
|
| |
Manufacturer: Century Optics
Model: 0.7x
HDV Wide Angle Converter Lens for Sony HDR-FX1 camera
|
| |
Manufacturer: Century Optics
Model: WA-FESU
Century WA-FESU Super Fisheye Adaptor
|
 |
Sony PD-150
x0.7 58mm Wide Angle Lens |
 |
P+S Technik
PRO35 Image Converter Lens
When a mainly digital post production work flow suggests shooting directly on digital video rather than on celluloid film, the PRO35 Image Converter maintains the look – and feel – of producing moving images on 35mm film.
With this convergent device, a 2/3” video camera can capture the same depth of field, focal length and angle of view as 35mm film. No longer restricted by a limited number of video lens options, a video camera operator can get creative with the hundreds of lens choices up to now the exclusive realm of 35mm filmmakers.
|
| |
Manufacturer: Quartz
Model: DCR-PC9
Quartz DCR-PC9 0.42x Super Wide Angle Lens
|
| |
Manufacturer: Sony
Model: VCL-HG0758
Sony VCL-HG0758 x0.7 58mm Wide Angle Conv. Lens
|
| |
Manufacturer: Sony
Model: PD-150
Sony PD-150 x0.7 58mm Wide Angle Lens
|
 |
SonyVCL-HG0737
Sony VCL-HG0737 0.7 37mm Wide Angle Conversion Lens |
 |
Sony
VCL-HG0872
Sony VCL-HG0872 72mm High Grade 0.7X Wide Angle Lens
This high grade glass lens offers increased detail at the edge of an image for minimized distortion and increased optical clarity. The included hood helps protect the lens from damage while helping to eliminate errant light. A handy storage pouch and front and rear lens covers are included to protect the lens while off the camcorder. |
|
|
 |
|
